Besides that, force and the unlimited power of using it even on a virtual level will sooner or later destroy all these very sensitive feelings within you. What fun is it to kill others even on a virtual level? Can anybody explain it logically? Overview Portraits Live Backstage. Download tangerinedream flac torrent at torrentfunk. Founded in by fine art aficinado edgar froese the group released their first album.
We have Tangerine Dream Music torrents for you! The Spirit Of The electronic music group Tangerine Dream has released more than one hundred albums, singles, EPs and compilations since the group was formed in We also need any information about good English torrent trackers to add to our index.
Apr 6, — «Tangerine Dream» - German rock band, one of the pioneers of electronic music and krautrock, founder and leader of the Berlin School of Download rubinstein complete album collection torrent More space sounds but in the middle of this monster track the drums kick in and the effect is incredible, probably some of Klaus' best drumming on the album. The song picks up fast here with a very loud, rocking, guitar jam. After the turmoil of track 2 track 3 is a song that puts you in a mental stasis.
The synths speak tranquility but there are outbursts of dissonence throught this period. It builds to a satisfying climax at it's end with some very satisfying guitar work which flows into and continues to work it's magic in track 4 "Ashes to Ashes" which is sort of the second movement to the previous track "Cold Smoke". Resurrection is the end and takes this journey to an end the same as it began.
Yes, it is almost as if the album is following an ABCA sonata structure. Buy this album! The keyboard chords of "Journey Through A Burning Brain" make up a celestial moment similar to the end sequence of Pink Floyd's tune mentioned before, also appearing in their "Cirrus Minor" coda, which starts to build up tension and reaching very raw sounding trance climax sounding the forthcoming Ash Ra Tempel recordings.
A key member of that group, Klaus Schulze is here playing on drums, before venturing to that music group and focusing to synthesizers, creating a legacy of its own from that trait.
The solemn pillars of sounds erected by the organ chords also close this second track of this album, circled by a flute flickering like a butterfly amidst their shade. The escalation breaks to exhausted breathing sounds. The closing number "Resurrection" returns once more to the solemn organ chords, with backwards treated vocals, then returning to the album opener sounds, creating a circular form for the album with singular point for both beginning and the end. This record evidently influenced heavily early Ash Ra Tempel who released their first album in , so all who like either of these phases of these bands should check out the other one too.
Certainly recommended as for background music for the first dates too. That doesn't mean it's pleasant listening. Far from it. In stark contrast to the pulsing sequencers and melancholy, atmospheric colourings of their 'Virgin Years' recordings, this album is edgy avant-garde fare, and I'd advise the majority of prog rock fans to save their pennies for later TD works. The result is definitely free-form. This gradually morphs into a beat-heavy lumbering beast that could well serve as the prototype of all things Krautrock.
Guitars and flutes trilling and shrieking punctuate the aural landscape until pastoral keyboards bring the song to a close. My favourite on this album is 'Cold Smoke', which splutters into life amid elegant organ and crashing symbals and spends most of its ten-minute existence searching for a balance between Krautrock and psychedelica.
The album concludes with two shorter tracks. Neither are essential. When listening to this record one gets the sense that in the music scene was a very vibrant thing, in which almost anything could happen.
FROESE exploited people's willingness to experiment by offering them a series of four difficult, edgy and experimental genre-straddling records, emerging from the highly influential Berlin scene. Instead, go straight to 'Phaedra'. Only stop here if you're really curious.
Pounding drums 4 minutes in as cello scrapes away. Flute is back. It all sounds great. Sharp sounds come and go along with other experimental sounds. Flute a minute in as it settles down. The organ before 2 minutes sounds awesome. After 5 minutes the guitar and drums start to rise up and build. Froese is wailing away as Schulze pounds away relentlessly. These two electronic pioneers are rocking out with reckless abandonment. My God check it out after 10 minutes! The chaos ends after 11 minutes as organ and flute bring calm.
Great sound after 10 minutes. The song stops suddenly and all you can hear is some guy breathing heavily to end it. The experimental sounds continue. Very spacey as the album ends just like it began. A must have for all you Krautrock fans out there.
And thankyou once again Tom Ozric for the recommendation. One day in the early 's, Tangerine Dream got an offer they could not refuse resulting in them bulk purchasing a bunch of synthesisers. This entailed them throwing in their current instruments by way of part exchange, and all three attending An introduction to playing synth classes.
The boys shone brightly in class, and went on to become experts in their field. Prior to this though, the band has a much lesser know BS before synth! While this may sound promising, offering the prospect of the band's melodious style being hear in a different way, the reality is sadly somewhat less exciting. Not only is this period BS, it is also prior to them discovering any compositional abilities.
Consequently, "Electronic meditation" is best left only to those who enjoy the most avant-garde of Krautrock and improvised indulgences. If we skip quickly past the opening "Genesis", which is pretty much devoid of anything musical, we enter the 12 minute "Journey through a burning brain". The organ sections here are highly reminiscent of Pink Floyd's "Saucerful of secrets", but the track largely focuses on the unstructured improvised guitar work of Edgar Froese.
As with the rest of the album though, the emphasis is almost entirely on experimentation and improvisation. It therefore falls to the ear of the beholder to decide whether this album is fascinatingly challenging or musical gobbledegook.
For me, while this is in relative terms some of the better recordings of this type I have heard, the almost total lack of anything discernibly musical leaves me absolutely cold. The album kicks off with ' Genesis' a fuzzy mix of synth and guitar before the classic ' Journey Through a Burning Brain' gives us 12 minutes of mind numbing adventure, great drumming from Klaus Schulze and guitar solo's from Froese. There is no denying Froese's admiration for Jimi Hendrix and there is that influence on this album for sure, equally this is one of TD's unsung heroes for studio album releases in many respects.
The most erstwhile fans and plaudits will not have missed Electronic Meditation, nor it's importance in setting the scene for a band in being one of the most prolific around. EM does set the tone for the trademark TD sound and carries it's head up high as being one of the bands finest albums. Light years ahead of it's time too. Four and a half stars.
Definitely their worst of the decade bar Cyclone , despite Conrad Schnitzler being present. But as I say, tracks 1 and 2 aren't bad. As for other legendary bands, I was too young to have known them when they started I discovered them in '74 with ''Phaedra'' but I wouldn't have been thrilled with this record if I had done so. It is on par with their German follow countrymen ''Kraftwerk'' first album.
Somewhat experimental although during ''Journey? It is really moving for most of it. These key combinations are so fine and amazing. This great journey is a must IMO. The short flute passages are indeed a great addition. A total and chaotic final section. I almost hear Hendrix. If you know my reviewing process, you know that this is quite a ride with TD that I have started by now.
I have to say that I don't quite understand the additional line of the credits for this album ''The first electronic Punk album in history''. Some sort of early electric anarchy in the UK maybe??? The sound is not yet so electronic, there's plenty of acoustic instruments instead and the impression received is of a number of improvised jam sessions recorded on the fly like for the poor Amon Duul's debut, but with lot of instrumental skill more.
This is very true for at least "Genesis". The organ emerges and disappears several times between the discordant sounds. After 5 minutes things change: an acid electric guitar, quite bluesy, and some percussions turn the suite into a more typical Krautrock mood. The guitar riff becomes more chaotic when the drums increase the rhythm. Now it's a sort of acid-rock, like when Jimi Hendrix was totally stoned.
Other minutes of this stuff and a coda of organ and flute closes the track.
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